Ticket information for 京都芸術劇場 春秋座（特設客席）(Kyoto Kyoto)

歴史的な文脈を踏まえつつ、斬新な切り口で歌舞伎作品を現代化してみせる木ノ下歌舞伎。

本作『娘道成寺』は、2008年に『三番叟／娘道成寺』の二本立てで初演し、2012年に30分に短縮した長唄音源を用いて初上演。その後、2017年には長唄の録音音源をほぼ全曲使用した60分のフルヴァージョンとして再創作し、再演を重ねるたびに進化してきました。演出・振付・出演は、きたまり。長唄を基に、背景や心情から、演目そのものを換骨奪胎し、ダンスへと昇華させるきたまりの手腕が、『娘道成寺』に新しい息吹を吹き込みます。今回は、念願の長唄・囃子生演奏ヴァーションを特別に製作。歌舞伎劇場である春秋座にて、迫力の舞台をお届けします。

Kabuki dance is a great song and fertile thrives—Kinoshita Kabuki's masterpiece, long-awaited live performance by Nagatoro

Kinoshita Kabuki shows modern Kabuki works in a novel way, taking into account the historical context.

This work, “Daughter Dojoji,” was premiered in 2008 with a two-piece version of “Sanban / Daughter Dojoji” and was performed for the first time using a long song sound source shortened to 30 minutes in 2012. After that, in 2017, it was re-created as a 60-minute full version using almost all of Nagatoro's recordings, and has evolved with each replay. The production, choreography, and appearance are intimate. Based on Nagatoro, Kamamari's skill that transforms the performance itself from the background and emotions and sublimates it into a dance brings a new breath to Daughter Dojoji. This time, a special version of the long-awaited Nagatoro and Choshi live performance was produced. We will deliver a powerful stage at Shunkiza, a Kabuki theater.